come more options.
But does that choice mean you’re taking a chance? At alienating an audience? At annoying an editor? At disregarding the usually treasured advice of a colleague?
And that choice might mean a complete change in direction. You tilt toward fiction. You opt out of long, luxurious passages for a staccato delivery. You drop the local writing group that’s lost touch with its members’ needs.
Lots of ways to go with this writing thing.